2013年1月21日 星期一

土共蝗化搖滾新態度 !!



元旦反梁行動一役,除了目睹V煞的勇武英姿之外,還同時看到一班嘴皮上愛港,實則在替中共呑噬香港的「愛港力」、「愛港之聲」、「關愛青協」之流,他們蠻橫無理,行使暴力,最近還竟然敢打記者!相信有部份是收錢辦事,但我更相信有更多是在這十五年來被中共土共洗腦蝗化的群族。這一群體不分是非、朋黨比周、見利忘義,此等惡劣行徑,正慢慢伸延至獨立音樂圈及Band壇。近來發生了一則Band壇爭執事件,便出現了有如蝗化的搖滾死硬派,突顯港共對港人洗腦十五年的禍害!

事情本屬一宗雞毛蒜皮的霸道蠻貼音樂會宣傳海報事件,為何會在CY梁的誠信風波下還可引起一眾Band友與音樂人的激烈討論?本公子素來以樹敵為樂,因此不幸牽涉其中,現在將事件公開,讓大家對音樂圈裡發生的二三事有多點了解。首先發現事情並表示不滿的,是與我共用Band房的一位房友,他是一名資深的電子及前衛音樂製作人。有天他如常地回我們於牛頭角某工廈的Band房工作時,赫然發現,在升降機門附近的牆上,一幅給各租戶及業主們張貼宣傳海報的「民主牆」上,有四大張黒色,設計帶點抽象的海報,構圖由兩個圓形正在互相融合,相信是代表中、港兩地樂隊,配以沒有甚麼Typography design的Title與排版,形成其霸道無比的感覺。

好像秦始皇以黑底白字的旗幟,君臨城下,宣示已攻佔此地主權一樣,亦好比本港近日街上的所謂「愛港」組織「香港青年關愛協會」於各區懸掛的白底綠字如義和團般的反法輪功大橫額。於是此樂隊達到目的,他們的霸氣凌人,成為眾人的聲討對象,風頭一時無兩!。

海報的內容是宣傳由「死硬派」組織及「弘力樂器」合辦“Play tour 2012”。這家「弘力」是中資公司,贊助他們旗下的中港樂隊共同表演的融合音樂會,本來宣傳是無可厚非的,但其海報平排地貼在其他樂隊的宣傳海報之上,遮蓋了其他還未結束之音樂會宣傳物品,此舉就十分野蠻。其唯我獨專,天下皆為我所用之勢確實使人驚歎(見圖a1)。


由於我的房友為人厚道兼且與人為善,因此沒有即時讉責,只默默盤算如何溫和地動之以情、勸之以理。其後房友致電於我,向我詳述了整件事,並已準備好一張用語溫和的告示作勸告,還問我是否贊同。我當然贊成,亦表示雖然牆上的其他音樂會宣傳物通通與我們無關,但如發現了不合理之事,不挺身而出阻止,那便如一些冷漠無知的港蛙對梁特和那個港共政府,還有甚麼「愛港力」、「關愛青協」等港共土匪聲聲包容,句句團結一樣姑息養奸,最後自食惡果。

那夜放工後我亦如常回到Band房工作,一出升降機門便發現其一字並排的海報陣。房友的告示還未貼上,本公子便立刻掏出手機拍下照片,所謂有圖有真相,更立刻將之傳上Facebook並標註不滿字句,不消片刻已獲一眾音樂人關注(見圖a2),有些網友的憤慨尤甚於我。房友其後便把其通告貼於他們其中一張poster上(但翌日已被撕去),接著在Facebook有網友更把我拍攝的那圖片轉貼到那主辦單位的專頁,希望他們能交代事件因由,殊不知他們那奇特的思維及趣緻的反應,使花生指數直線飆升。

主辦單位非但毫無反省之心,還在該專頁上更貼出無賴惡言回應,其無恥程度與梁特政府不遑多樣,野蠻幼稚得讓人乍舌(見圖b),期間有音樂人網友不屑其所為,與之展開罵戰(見圖c)。在對話中主辦單位負責人完全不覺得其自己的行為有任何問題,說他們這樣貼,就預計了其他人也會貼在其上面,並訛稱被其遮蓋著的其他宣傳物全是已經過期的,更認為是其他人妒忌其宣傳「力度」太大。我們這班認為主辦單位有問題的是Band圈「害群之馬」,他們則反駁自己在「建設」,說別人沒為樂壇作出「貢獻」就無資格批評他人,又口口聲聲說甚麼音樂圈已經很亂,要大家「團結」云云。我倒想問句:「亂在哪裡?團結些甚麼?」你們自己做了些影響別人的事情,別人來反對,就叫別人要團結,這還不是梁特政府及其保皇黨,每天也在上映使市民怒不可遏的戲碼嗎?而其回應的遣詞造句更充斥著共匪蝗語,令人難以理解。幸好,還有其他見義勇為的朋友看不過眼,把他們在工廈及街上的海報撕掉了(見圖d及e)。

為何一向被認為思想開明、前衛及有批判能力的Band 友,在這一代會變得如斯不堪?更難理解的是其朋友不分是非,只會麻木地去護短及攻擊異見聲音,「只要是自己的朋黨,不分對錯去維護到底。」這情況在這一代十分常見,完全不去理性思考、分析及討論問題。大家可以想像一下,如果所有辦活動的單位也如他們所說,「貼得上牆就預咗被人再貼上去!」,大家鬥快互相遮掩彼此的宣傳物,沒半點尊重,鬥霸道、鬥惡的後果會是甚麼?相信音樂界真的常常能「打成一片」了。說到底你們是想「搞show定搞事」?

其後主辦單位在本人的Facebook wall及其專頁上貼了一、兩篇極不服氣及立場不明的聲名(見圖f及g),令人啼笑皆非。無獨有偶地,我Band房的大門匙孔在這件事發生後不久便被人多次以牙籤及香口膠堵塞(見圖h),那個“Play tour 2012”的主辦單位中有人也在該工廈租用單位的,是巧合還是有人幼稚地報復了就不得而知了…

這麼的一件事令我回想起早前被和諧掉但還要自我感覺良好,認為是成功了的反洗腦國民教育運動,先不論林輝、陳景輝之流誰更幫到梁振英,替他解圍,化十二萬人的民意為零,是英雄還是狗雄,內裏玄機我們無從稽考。但有一點可以肯定的,是所謂洗腦教育,早在十五年前已經開始,這進行曲仍在演奏中,通過各種途徑去侵襲各階層、年齡、界別及教育水平的巿民,無孔不入。在99%被統戰成功的傳媒上、白痴電視劇上、媚共爛電影上、政府謊言宣傳廣告上、甚至各大少呆板社區活動上等等…保證人人有分,永不落空!那些洗腦敎育影響了我們的中文用詞,因為中共想摧毀我們的文化,影響了我們用了很久時間來建立的普世價值觀,「假、大、空」變成了日常生活技能,只要為了好處,說再離譜的謊言大話也不臉熱,行騙好像變成理所當然的事。

近日在香港出現製造、供應坑渠油的黑心商人,以及使用坑渠油的無良食肆。每年每逢七一、元旦都上街為基層表達訴求的社區組織協會,在今年元旦大遊行前收了梁班子的金錢資助後便決定不上街。社協在除夕舉行記者會解釋原因,並大讚梁振英上任後逐步推出扶貧措施云云。其兒童權利大使更在受訪時更表示支持梁特,指特首誠信不重要。亦有中三的小朋友說:「會放長雙眼睇吓佢做唔做到,佢僭建唔影響施政。」另一小六女生因等待分配公屋已達九年,只期望早日上樓,坦言不介意梁振英說謊:「我唔係睇佢為人,就算講大話都冇所謂」。當小朋友都認為做特首誠信不重要、不介意梁振英大話連篇。在十二月三十號由土共發起的撐梁振英遊行裏,愛港力那些暴徒打記者而又不認錯的行為,就正正與這堆甚麼死硬派鬼鬼鼠鼠塞人匙孔踢人門的,如出一轍。如今香港的社會墮落至此,如何能不令人心寒?

回歸十五年,各種土共洗腦成功創造出一群不講道理,行為卑劣,不分事非黑白的暴力之徒,香港下一代,絕不能再繼續被洗腦。否則禍患無窮!

說句老套的,十多年前Band圈鮮少出現這種人、這類事,愛好音樂的人都會互相尊重,縱使有時也會發生磨擦,但音樂的事音樂解決。而現在Band圈也淪陷了,放火塞匙孔也可以發生了,如此下去,社會上對Band友視為壞人的偏見將永遠不能平反,獨立音樂的前景只會更黯淡,香港的Band壇,真的需要這樣蝗蟲化的死硬派?


當年高山沒冷氣,熱情混合汗水化成了音樂的彩雲,如今雲漸散、情轉冷,換上了紅紅強國的棺材板。



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本公子的房友 - 職業電子音樂製作人 Nerve - Steve Hui,那張給撕掉而原本用於勸告的告示內容:
「這幅民主牆是屬於大家的,使用的人應有公德:
1.勿把海報蓋過仍在宣傳期間(未過演出日)的海報上。
2.貼一張已能發揮宣傳效用,空間應留給其他人分享更多音樂資訊。

以下是眾音樂人對事件之回應 :

神奇膠 結他手 - Kenji Ng:
1.New BandShow Poster 貼在舊Band show poster是家常事,但要用一排poster去Cover一個位,然後post在自己個page大叫Fxxking rock呢個動作本身就有intension想玩野,而我亦相信一層單位還有大把位比佢咁玩吧。所以我覺得有人出聲小係無可口非,
2.不過佢哋身為攪手其實大可正常解釋,其實自己有看到下面既show過期了,自己的poster體積少細,所以一排貼出來,如果造成某人的不安,下次自己會多考慮。而不是巴巴閉閉小撚哂企到硬「死硬派」 。
3.連基本的尊重別人也不懂,禮貌不用說了!等同政府廢人獨權,囗中的建設也只是垃圾!
4.但更7嘅係一圈子的朋友會盲目幫圈子的朋友手𨳒𨳊而不理事實的內容!多麼痛的社會現象!」

A Poison Tree 低音結他手 - 黃冠豪:
「簡單黎講就係小學雞,捉賊喊賊,口講尊重,和諧,團體,其實係破壞既始作俑者!做撚左又唔9認,仲要唔GUR唔份氣咁又道歉又要扮型!,Kurt Kwan Chun Fai係邊9個黎?咁撚無禮貌+自大+思覺失調,人地問你做咩COVER其他人POSTER,你回應話人地果張過期咪得,講咁撚7多野之餘又講到自己場SHOW點勁,然後不斷幻想比人針對,無撚病嘛?
人地都係基於尊重先問9你做咩COVER人地POSTER JE,撚到咁撚串,人都未撚識尊重講咩BAND SCENE大團結?團結唔係個個唔好嘈,大家一個TONE話團結一致為XXX目標,乜9潮撐囉。有你玩,我有我玩,互相尊重大家夠撚哂,唔撚該 ! 」

本地傳奇歌德樂隊Narcosis主音 - 吳水:
「一句講晒自撚私。」

音樂人 - Jason Lau:
「老老實實佢地冇影響到我,我又唔係住係越成,諗住睇下佢地事後有咩回應. 但轉個頭佢地一個個成員浮上水面,一時又用組織既account黎講對唔住(但係人一睇就知道係唔服氣既態度),一時又有人以個人名義出黎屌番我地轉頭,話我地多事又懶正義又點。結果我又認真D睇下張相,先發覺原來仲有show真係未過期的,但地又口口聲聲話自己check過哂冇問題先貼,一野就自打嘴巴。咁算啦,再睇下佢地之後個官方回應,不斷咁重複話自己錄碟/搬野/籌辦呢場show有幾辛苦,但又對貼 poster呢件事隻字不提,模糊左化左原本既焦點,令到其他不知情既人睇落好似我地迫害佢咁,唔識欣賞佢地努力既成果…大佬呀從未都冇人抺殺你地係搞show方面下左既苦功,一味係到呼籲大家要團結要黎睇show,咁我地指出poster呢件事又何嘗唔係為你地好呢?只係想大家和平共處,互相提點,邊個話冇搞show冇夾band就唔可以俾意見,我欣賞你地搞show所付出既熱情同血汗,但真係唔好講到全香港得你地呢一班band仔係咁樣過活囉,唔同地區/環境/類型既樂隊同工廈文化藝術家都係同一天空下努力緊,希望佢地以後再搞show會處理得更好吧。」

音樂人 - Ling Sze:
「我感覺佢地係梁粉logic『做少少野都嫌三嫌四,香港點會好』之類嘅思想,人地話佢地cover左其他poster,佢地就扯開話題講自己搞show好偉大」

社運音樂人- 周諾恆:
「係呢個世界,江湖道義一早就已經比鑽石還要稀有。」

多媒體製作人及電音DJ - Dominie Ting:
「香港會滅亡,BAND仔/PARTY仔會俾人歧視唔係無原因的,我屌你老母西知唔知乜野叫尊重呀?正正經經講出來話(假設係真)下面果D期已過其實無乜野,家陣係擺明撩交打!」

獨立音場地Hidden Agenda 事頭婆 - Kimi Hiu Ha Lam :
「哈哈,我諗起MK痴海報果D,岩岩痴完,轉頭俾人遮曬~」

資深音樂人、唱片店主、現網台音樂節目 - 音樂次文化主持人- TOTO:
「唔見棺材唔流眼淚…唔可以輸打贏要㗎嘛…」

前SURVIVOR主音、現網台音樂節目 - 音樂次文化主持人- Ben Soo:
「 應該尊重大家意見。貼還貼啦,係咪應該睇清楚人地資料先?唔可以好似街招咁『我擺左先』就算。」

前SURVIVOR鼓手 - 阿祥:
「無大無細,屌你老味…」

實驗音樂製作人- Sin:Ned 黃仲輝:
「我覺得香港整體文化極速開倒車,很可悲!」

樂隊Heroses成員 – LINA:
「尊重自己,尊重別人,當每場show都只係貼一張海報時就麻煩入鄉隨俗吧。本來貼多左幾張poster係好小事,想推廣下音樂會都可以好聲好氣請各Band房鄰居幫手,何必要因為一時意氣連自己場show都搞寸埋呢?最爆係負責人回應時一句『如果我地宣傳力度太強而令其他人剩係留意到我地場show真係唔好意思』...呢句會唔會再囂再不切實際啲?要囂,就做好音樂出黎囂比人地睇吧。」


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當年高山沒冷氣,熱情混合汗水化成了音樂的彩雲,如今雲漸散、情轉冷,換上了紅紅強國的棺材板。




2013年1月9日 星期三

係lift 入面食煙嘅死硬派band仔



哦…原來有尐死硬派嘅band仔係要係lift 入面食煙先得嘅,乜你唔知lift 入面係嚴禁吸煙家咩?嗱,呢尐唔係我潛規則呀,香港法例唻家,咦…今次冇屈你架,有人證,上次塞匙孔就話冇啫 … 品德家教呢,我知唔係人人有,但咁嘅人夾band ,真係令到好多人對band 友好反感的。我同我朋友都唔食煙的 , 妳諗下lift 入面有人食煙係乜感覺?自己身為band友更要以身作則 , 香港band友成日比人話係不良份子 , 就係多得呢尐害群之馬 !!

咁我唯有業主反映下啦,話哂係 度成十年,都唔想呢度變到咁污煙障氣嘅…今次好講道理架,唔會又塞我匙孔吖麻,唔係影到你玉照就唔好啦。尐盲目維護自己人嘅會唔會覺得有其他人時係lift 內吸煙係有道理嘅呢?





搞場 band show 係十大基建?


依家尐朋友仔 , 一齊搞場show 都講到好似搞十大基建咁誇張 , 咁辛苦, 真陰公 ..... 諗起之前搞十幾廿場show , 最初得自己 , 後來都係幾丁友做 , 揾場, 聯絡 ,設計 ,宣傳, hold 場 , 出show 一腳踢 , 一樣 港島 油尖旺貼滿 , 一樣有雜誌宣傳 , 一樣有sponsor, 一樣要應付三百幾觀眾嘅show .... 哈 .....我諗時代真係唔同咗....

而呢一代我比較欣賞 Hidden Agenda 呀 許仲和同Kimi Hiu Ha Lam, 同搞遊擊 show嘅 Zams Yu 等佢地 !! 佢地就真係辛苦喇 , 仲要被人打壓!! 要致敬一嘢!! 好努力 !! 加油!!


本公子你十分支持搞實驗嘢嘅  黃仲輝 (Dennis Wong)(noise to signal ) , Strategic Sounds 佢地 , 本身實驗嘢已小人聽 , 仲keep住搞 , 難為香港某尐band友成日覺得自己好另類 , 覺得冇人支持 , 覺得比主流打壓 , 又高呼要團結乜乜物物 , 咁團結又唔去支持下尐實驗嘢 ? 人地就真係另類喇 ! 


香港band乜嘢多人睇就玩乜嘢 , core , emo , pop 嘢一街都係 , 仲好意思話少人支持 ! 我以前一直玩尐冷門嘢 , 音樂類形先天問題 ,一直冇乜所謂band scene support ,冇fans支援 , 係靠努力( 我希望係靠靚仔的 ) 先聚集到一班鍾意呢類音樂嘅人 , 所以我一直冷眼旁觀呢班人 ! 我串 ! 係因為我串得起!!



                                                                                                咁又十年.........



From dark tempo to out-rock to extreme noise to everything in-between, we believe in the polytheism of experimental music.

Non-experimental music is just a myth.

Performers:
Zbigniew Karkowski (PL) + Sin:Ned (HK)
Composers Union of New Tunes (HK)
Meta Fog (HK)
Heroses (HK)
Everdark (HK)
After Doom (HK)

Date: Jan-15, 2013
Time: 8:30 pm
Venue: Hidden Agenda
Address:
2A, Wing Fu Industrial Building, 15-17 Tai Yip Street
Kwun Tong, Kowloon, Hong Kong

Admission:
HK$150 (at door)
HK$120 (advance reservation)

Jointly presented by Hidden Agenda & Re-Records
http://hiddenagenda.hk/
http://www.re-records.com/

For bookings and enquiries:
rerecordshk@gmail.com

=======================================

Zbigniew Karkowski
Zbigniew Karkowski was born in 1958 in Krakow, Poland. He studied composition at the State College of Music in Gothenburg, Sweden, aesthetics of modern music at the University of Gothenburg's Department of Musicology, and computer music at the Chalmers University of Technology. After completing his studies in Sweden, he studied sonology for a year at the Royal Conservatory of Music in Den Haag, Netherlands. During his education, he also attended many summer composition master courses arranged by Centre Acanthes in Avignon and Aix-en-Provence, France, studying with Iannis Xenakis, Olivier Messiaen, Pierre Boulez, and Georges Aperghis, among others. He works actively as a composer of both acoustic and electroacoustic music. He has written pieces for large orchestra (commissioned and performed by the Gothenburg Symphony Orchestra), plus an opera and several chamber music pieces that were performed by professional ensembles in Sweden, Poland, and Germany. He is a founding member of the electroacoustic music performance trio "Sensorband." Since 1995 he is based in Tokyo, Japan where he collaborates closely with japanese avantgarde scene. He has extensively toured in Europe, Asia, North America, South America and Australia and his music has been performed at several festivals

Besides working as a composer of contemporary music he has been collaborating with several experimental groups and artists like: The Hafler Trio, Blixa Bargeld, Merzbow, Stelarc, John Duncan, Aube, Tetsuo Furudate, CCCC, KK Null, Antimatter, Francisco Lopez, Kasper T. Toeplitz, Peter Rehberg, Li Chin Sung and has worked on remixing artists and bands like Iannis Xenakis, Clock DVA, Phauss, Jazzkammer, Florian Hecker, TV Pow, Rechenzentrum, Fred Bigot, Fear of God, Nosei Sakata and The New Blockaders.

He has as well written music for film, video, theatre and dance. His scores are published and distributed by STIM in Sweden and until today he has released more than 100 cds by labels all over the World. He is convinced that it is a responsibility of an artist in the present day to travel and work around the World in order to learn and understand different cultures and traditions and discover truth about ourselves and our planet. He also strongly believes that geographical, political and social exile is a necessary condition for true and honest creation. He is not interested in the traditional definition of music, in his opinion, all musical theory and systems as cultural concepts must be destroyed. In his latest work, his main concern is to realize drama with sound - electronic and acoustic walls with the architectures of ruins transcribed in the scores.

http://site.douban.com/zbigniewkarkowski/
http://www.myspace.com/zbigniewkarkowski

Sin:Ned
Sin:Ned, aka Wong Chung-fai, is an unorthodox sonic evangelist who practices improvisational mysticism. He is the co-founder of Re-Records (www.re-records.com) and No One pulse.

http://sin-ned.blogspot.com/

Composers Union of New Tunes
Composers Union for New Tunes is a lethal free Improvisational duo from Hong Kong formed by Kevin Pan (guitars, vocals) and Callum MacKenzie (sax). Kevin used to play in bands like Heta Uma and Charisma. Callum is currently playing in a wide variety of different jazz groups in Hong Kong.

Meta Fog
Meta Fog consists of Sascia Pellegrini (drums, percussion, electronics) and Eric Wong (guitar, electronics) whop attempt to do musical and art mashup by abusing, decompose and rebuilt in alternatives/other forms the audible elements the duo have experienced and fill them into their music, making use of electronics live, backtracks and heavy processing. The duo has already performed in many venues in Hong Kong and is establishing connections and agreements for future shows in mainland China, Singapore, Taiwan and Japan.


Italian contemporary musician Sascia Pellegrini is not only a music adventurer but also a landscaper: he traverses and ventures the borders of different media and genre; he sculpts soundscapes from computer, loops, voice percussion and/or any material on location. He is a classically trained percussionist pianist and composer and followed various international courses to deepen different aspects concerning composition and performing in classical contemporary music and live electronic interaction. He studied percussion, conducting and composition with S.Schick, S.Gualda, P.Eotvos at Ircam in France (http://www.ircam.fr/), percussion and electronic music with P.Tini, A.Nicoli in the Conservatory (http://wip.conservatoriopuccini.com/) and drums with C.Mayer at Cpm (http://www.centroprofessionemusica.it/) in Italy.His works include realizing soundtracks for video artist, performing in many different festival and venues in Italy, France, Germany, Japan, mainland China and Hong Kong, not to mention a variety of composing works for different kinds of ensembles from jazz to chamber music. His main composing interest lies in the inter-media interaction between different art forms.

Eric Wong first picked up the guitar at the age of 19, and started his interest in electronic music during the time in audio school few years after graduating from college. Formed the duo Meta Fog with Italian drummer / percussionist / electronic programmer Sascia Pellegrini in early 2012. Wong as well works on his solo projects under the name Error: Wrong in approaching of minimalism, glitch, and sound manipulation. Before forming Meta Fog, he was the live guitarist / electronics operator for the Hong Kong based extreme pop band No One Remains Virgin. He was invited to participated the cross-country compilation T(h)REE and the subsequent T(h)REE 1.5 along with other acts from Hong Kong, Macau, and Portugal. He also has collaborated with artists of different areas include modern dance, new media, live painting, etc. as well as commercial compositions for websites and short films.

http://soundcloud.com/meta-fog
http://vimeo.com/44259399

Heroses
Heroses - Heroes and Roses. A spiritual, romantic, alternative band in this dried-out city.

Since the early spring of 2009, the members of Heroses have been struggling hard in expressing every tiny piece of feelings, thoughts and paradoxical daily life experiences with rhythms and sounds.

The diversity of our music backgrounds never hinders us in staying in the same line; in fact, it inspires us to explore a wide range of elements. By no means do we limit our steps to merely a few “labels”or “stereotypes”. Instead, we seek out the other side of this fascinating music world.

For the current line up, apart from our two permanent members (Ring and Lina), we also love to work with friends and other musicians who share the same music interest with us.

We embrace music as well as life. Heroses: Heroes and Roses.

https://www.facebook.com/pages/Heroses/123402281048548

Everdark
A dark tempo duo formed by Andrew Leung (Lv. 0 Producer, DJ & Founder Of Strategic Sounds) and Adrian Leung (Bassist & social photographer).

http://www.facebook.com/everdarkss

After Doom
Originally intended to be a freeform extreme grindcore noise doom metal unit, After Doom was born after the end of the world in Hong Kong, and turned out to be nothing like it is expected to be.

The group consisted of an impossible mix of members. TO is the drummer of the metal band Loiter; Andrew and Adrian is also an electronic dark tempo duo Everdark with musical influence from minimal techno, dub step, hardcore and post-rock; Dennis Wong aka Wong Chung-fai is a noise improviser and experimental mystics working under the name Sin:Ned.

The aftermath: a freeform noise grind drone unit that goes all the way to the extremes, way beyond noise and insanity....

https://soundcloud.com/after-doom-hk

2013年1月5日 星期六

以客為本的band sound

其實真係好想問下香港夾band 嘅係為咗乜呢?我已經唔問做音樂嘅了,因為覺得家下夾band 嘅好似唔多關音樂事,做音樂係要視音樂為藝術,而做藝術嘅通常唔會遷就巿場,做尐人地鐘意而又未必忠於自己嘅作品,例如好多人聽core丶emo呀就一窩蜂去玩,依家就一街pop band … 從藝術角度看,一有巿埸計算便不再是藝術作品。可能是我執着,一直以crate art form 嘅處理手法去做音樂,還希望有創新意念於其中… 可能我是過時了,現在的band sound 是以客為本的。


勇武的朋友從來也是抗爭勝利的關鍵少數

真正有心為香港未來抗爭的勇武朋友,你們不需要介意抹黑或打壓、身邊親友及大部分人的不了解、不明白、不支持、甚至冷嘲熱諷,因為能清醒的從來只是少數人,那群愚民順民只是社會的運作機器,只能依附主流生活,而當你們抗爭成功了,他們也一樣跟著拍掌,從來抗爭勝利也是靠關鍵少數的勇士,V煞們在元旦不是給了你們很好的示範嗎?請勿意圖教狗狗們用筷子夾豆腐吃,你有狗餅牠們便會跟隨你,對著你搖尾巴!



過去她喜歡你的原因,現在都變成離開你的理由。--- 音樂窮鬼們的愛情宿命 ?


是咁的,鍾意LV手袋同有樓階層又怕乘撘公共交通工具的香港優質女性,當然不會選擇我們這一類音樂理想行頭的窮鬼作終身伴侶 ( 當然不是全部,但絕對是大部分 ) 。

她們最初認識了你 , 被你那纏擾不休,刻意凌亂的髮型 、你那不修邊幅,故意糜爛的裝束 、你那喋喋不休,憤世嫉俗的偉論、 你那在表演台上強裝鎮定,其實怕得要命的造作神態等等所吸引,在未經大腦理性思考的虛榮浪漫幻覺驅使下跟你走在一起。

開始時的搖滾式浪漫瘋狂激情還可以麻醉她一段時間,但當物質生活的肚子餓了,自以為年齡的平安鐘響起了,她的潛在意識便會覺醒,比起被侵犯時也要和平理性非暴力的港蛙們的覺醒速度快百倍,她會開始嫌你只顧著夾band,沒時間陪她丶嫌你最多帶她去吃南丫島書蟲有機素食,而沒有在Amigo据A級牛扒丶嫌你硬要和她撘"叮叮"看香港半島僅餘的英國美麗遺產,而沒有用Benz 波子載她到廣東道買dolce & gabbana丶嫌你只作她幾首曲畫過她的畫,而沒有與自由行爭排隊買一個LV給她 …

最後你當然會被放棄, 死得像李旺陽一樣不明不白,還要怪責你沒好好為她著想,迫她當了個劊子手,使得她感情生命蒙上污點云云,要你懊悔、內疚、慚愧 … 而你當然會悲傷更可能自責 丶自怨自艾… 如這般的事在重複經歷幾次後,你會想,這是我們的宿命嗎?

答案可能確是真的 … 但香港優質女性們的理性選擇,也未必是那麼響的幸福如意算盤。妳們將來或許生活安定,但當妳未來的丈夫肚子日漸肥大,內裏填塞著果子狸、穿山甲、貓貓狗狗等野味,還有幾十斤地溝油;開口只有工作生意,夾雜著幾句大陸潮語,極有可能是在沙咀東筦等向西之地考察所學得;而浪漫再跟妳沒關係,情人節妳會收到由他秘書代購的一束為愛情祭奠的鮮花,及一張給妳自行購買禮物的支票,票上還帶有奇怪的香水氣味;他也許會給妳買禮物,是大陸時興的貓皮草,還附上貓爪項鍊作陪襯; 性生活方面,他對挖妳私人小穴的興致比不上他挖風水穴種生機的興趣大,就算天時地利人和配合的話也只如月經來潮,每月一次,每次數分鐘,而妳更可能感到他肚腩給妳的壓力遠比他那話兒大,還要妳的身體對他尚有反應 ,濕得起啜得抵。那時 … 或許 A&F 多開幾間,請多幾個紅褲仔肌肉佬才可以給妳一點點幻想作慰藉 ,要不然折衷點找個精壯俊美男妓或包養個甜蜜小白臉來充實一下好了。

妳還要日夜祈求千萬不要在街上碰到妳的那個醉心音樂的前度,他的眼神笑容依然年青 ,身旁伴隨着一個氣質清秀的文藝女子,她沒用LV手袋,但看得出是DIY的,以一塊塊的舊皮革拼湊縫合在一起,在袋子右下方還壓上了兩個名字,手工尚算不錯,而他倆正在甜情蜜意地討論着 The velvet underground 的音樂與 Andy Warhol 的關係 ,在不情願的一刻,他也看到了妳,對妳報以一個微笑,而妳也笑着亦意自己在趕時間,一句也不說的急步離去,但其實百無了賴的妳正欲前往一家相熟的髮型屋找Kim師傅去打發一個無聊的下午 ...

而妳忽然想起,妳懂得 The velvet underground 與 Andy Warhol 也是因為他,而妳也曾跟他一同去看過 Bjork 的音樂會,還記得那時人多得像七 • 一遊行被警察粗暴阻礙前進時的中聯辦外圍那樣迫,他溫柔的在妳後面抱着妳,害怕妳跌倒,還給妳踩在他腳面上,讓個子嬌小的妳能高一點去看看Bjork 及其表演團隊古靈精怪的民族服飾 ... 妳現在彷彿仍感覺到他瘦骨嶙峋身軀的吃力, 就這一刻,妳的眼角泛起了一下跳動 .................

忽然 ,妳電話的鈴聲響起,歌曲是周杰倫的"説好的幸福呢",妳以為會是他嗎?妳把耳朵緩緩的貼近電話,生怕驚動了久違的心悸… 一把熟悉的聲音從電話另一邊傳來 :「老婆 , 我不回來吃飯了 , 李總來港了 , 有緊要嘢傾,係咁啦。」, 妳的嘴角不肖的向上翹了一下,因為李總的太太才剛致電給妳以地道京腔說道:「喂,小桐,我老公去了美國 ,今晚我們可以去山林道上一次的那家,找那些仔仔們玩"耍盲雞"啦!」




這時…天空漸漸發黃,黃昏的餘暉照到妳臉上竟出奇地融合,妳的身影漸漸消失於廣東道挽著名牌購物袋的自由行中…